c18 blog?

Over on Matt’s blog I had asserted that while “it would be great if there were an active eighteenth-century blogging community,” I didn’t think this was going to happen any time soon. Then I realized that for all I know, there are other eighteenth-century scholars out there blogging away. A couple of searches on Google seem to confirm my original assumption, though. I did come across some interesting mentions of the eighteenth century, however, in discussions of blogging.

I’m not sure that this Fresh Air commentary from Geoff Nunberg gets blogging right, but his connection to the origins of the novel struck me as interesting:

There’s something very familiar about that accretion of diurnal detail. It’s what the novel was trying to achieve when eighteenth-century writers cobbled it together out of subliterary genres like personal letters, journals, and newspapers, with the idea of reproducing the inner and outer experience that makes up daily life.

humanities / antipodes

Sometimes the most interesting stuff comes through my email.

NSF Antarctic Artists & Writers Program
http://www.nsf.gov/od/opp/aawr.htm

The Antarctic Artists & Writers Program provides opportunities for scholars in the humanities (painting, photography, writing, history, and other liberal arts) to work in Antarctica and the Southern Ocean. These visitors will be able to make observations at U.S. Antarctic Program stations and research camps and in wilderness areas. The purpose is to enable serious writings and the arts that increase understanding of the Antarctic and help document America’s Antarctic heritage.

The National Science Foundation funds and manages the U.S. Antarctic Program, which is devoted mainly to scientific research and education in support of the National interest in the Antarctic. The programís research and support infrastructure enables access to much of the Antarctic region.

The deadline for receipt of applications at the National Science Foundation is 4 June 2003. This deadline is for work in the Antarctic during the 2004-2005 austral summer. Applications will not be accepted before 1 May 2003.

walter benjamin

I sat down to re-read Walter Benjamin’s “The Work of Art in the Age of Mechanical Reproduction” for my graduate seminar, but I got sidetracked, reading instead his “Unpacking My Library: A Talk about Book Collecting.” It’s an enjoyable, personal essay that would fit nicely as a companion piece to the essay I intended to read {though I need to re-read “Work of Art” before I’m sure}. Benjamin writes,

Would it not be presumptuous of me if, in order to appear convincingly objective and down-to-earth, I enumerated for you the main sections or prize pieces of a library, if I presented you with their history or even their usefulness to a writer? I, for one, have in mind something less obscure, something more palpable than that; what I am really concerned with is giving you some insight into the relationship of a book collector to his possessions, into collecting rather than a collection (59-60)

In eight pages, Benjamin discusses the memories and associations that each book in a collection evokes for a collector, the strength of the desire a collector feels before a book is acquired, and the organizing logic of a {private} collection often being centered in the collector’s desires and interests. In all of this, the contents of a book – the actual act of reading it – is treated as incidental: it’s the acquisition and possession that matter:

The most profound enchantment for the collector is the locking of individual items within a magic circle in which they are fixed as the final thrill, the thrill of acquisition, passes over them (60).

Benjamin, Walter. “Unpacking My Library: A Talk about Book Collecting.” Illuminations. Ed. and intro. by Hannah Arendt. Trans. Harry Zohn. New York: Schocken Books, 1969.

get a load of the new guy

I moved here late last July. I guess I’m still getting used to it. Out on the highway somewhere today, I saw a sign that read “Kansas City, next 10 exits.” For half a second I thought, “Kansas City? Wow, I wonder what it’s like there.”

shameless plug

In early 1993, I was sitting alongside Dave Liss in Bob Sattelmeyer’s graduate class in American Romanticism. Dave needed a roommate, and I needed a place to live, and within a few weeks I was living in the Candler Park (roughly speaking) neighborhood of Atlanta. Conversations with Dave are probably the reason I became interested in the eighteenth century to begin with. Later, while working on his Ph.D. at Columbia University, Dave decided that he’d rather write a novel than a dissertation, and so he did. In fact, following the success of his first book, Dave’s second novel is out just this week. It’s called The Coffee Trader.

These books are really fun reads, particulary (I suspect) for people who enjoy historical fiction. It’s not a genre I’m usually drawn towards, but I like these two novels a lot.