lord on oral poetry

I came across this memorable quote from Albert Lord’s The Singer of Tales, reading for my seminar tomorrow night:

The method of language is like that of oral poetry, substitution in the framework of the grammar. Without the metrical restrictions of the verse, language substitutes one subject for another in the nominative case, keeping the same verb, or keeping the same noun, it substitutes one verb for another. In studying the patterns and systems of oral narrative verse we are in reality observing the ‘grammar’ of the poetry, a grammar superimposed, as it were, on the grammar of the language concerned. Or, to alter the image, we find a special grammar within the grammar of the language, necessitated by the versification. … The speaker of this language, once he has mastered it, does not move any more mechanically within it than we do in ordinary speech.

When we speak a language, our native language, we do not repeat words and phrases that we have memorised consciously, but the words and sentences emerge from habitual usage. This is true of the singer of tales working in his specialised grammar.

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when phones think they know you

My friend, Kevin Hawkins, is on a Fulbright in Russia. His most recent post mentions smarty-pants phones:

I sent and received my first SMS messages yesterday with another Fulbrighter. You see, in Russia and Europe it’s much cheaper to send SMS messages than actually talk on the phone (which, I’m finding, can become quite expensive), so people communicate that way a lot. Since people only think I’m a techie, they have no idea that I’m a total cellphone novice. So, as with most text messaging systems, it guesses what word you’re trying to type based on the combination of keys you press. As it turns out, mine only has a Russian vocabulary no matter what language you set the interface to. Yesterday I couldn’t figure out how to override its guesses, so I had to improvise when it guessed something other than what I wanted to write. Figured it out now.

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my life as a(n)…

  1. …author?
  2. …publisher?
  3. …distributor?
  4. …vandal?
  5. …all of the above?

I met Nick Montfort in Philadelphia and became a participant in Implementation, leaving portions of this novel stuck on a bus, an airport shuttle, ATMs, soda machines, and hotel elevators. One of Nick’s other collaborative works is 2002: a Palindrome Story, which features illustrations by Shelley Jackson, an author/artist who has left her mark on me.

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mortality of the humanities, ii

Consider this post a sequel to my earlier one.

Observing that “Maryland has just become the first state in the nation to institute a statewide comics curriculum,” Erin O’Connor questions the wisdom of this move, arguing that we need to make

sure kids get the analytical and reasoning skills they need, and that they begin learning those skills at an appropriate age. There are things you learn to do mentally when you read a long novel alone in several sittings; or when you puzzle over a poem to grasp its metaphors, its meter, and the way the form and content necessitate one another. Those things are subtle, but they are very real. They are also highly transferable. I’m just not convinced that comic books are good material for teachers who want to ensure that their students acquire more than the most elementary reading skills.

One of her commenters says, “I don’t think presenting 10 year olds with comic books is a way to prepare them for the real world.”

Three initial thoughts spring to mind:

  1. Why do we continue to privilege the image over the word, as if the meaning of the former is always self-evident, requiring no critical thought whatsoever? Sitting for long periods of time with complex images might provide the exact same benefits that sitting with a novel does.
  2. I have to agree with Matt, who writes that “contemporary cognitive science needs to be part of any serious conversation about attention and imagination.” Novels do a better job than comic books do of lengthening attention spans and teaching kids critical thinking skills? It’s an interesting reseach question. Where’s the research? If it exists, let’s bring it into the conversation.
  3. Is the value of the study of literature in elementary school confined to how well it prepares ten year olds for “the real world”? As my colleague Bob Stewart said at the Kansas City “Reading at Risk” forum, sometimes the only thing a good book does is take you further inside yourself. Reading can be an activity that’s personally rewarding but that carries no social or civic benefit.

Bonus Link! F. Scott Fitzgerald and Charles Schulz duke it out.

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