literary bloggers

“Reading is a fundamentally solitary activity, which is why readers seek other readers, trying to create a sense that they are participating in a shared activity. In the last year or so, literary bloggers have begun to take the place of the little magazines and have subtly tilted the entire critical climate.”
-David Sexton, writing in the Scotsman (via Beatrice)
In case the link to Sexton doesn’t last, here are the sites he mentions: Good Reports, MobyLives, BookSlut, Moorish Girl, Maud Newton, Old Hag, The Minor Fall, The Major Lift, and The Elegant Variation.
Sexton also mentions “[m]ore formal and respectable reviews” such as Hyde Park Review, the Literary Saloon, Waterboro Library, Arts and Letters Daily, Kitabkhana, and La MuseLivre.

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poetry reading

Award-winning local poets Michelle Boisseau and Denise Low will read from their work on January 20 at 7:00 p.m. at the Johnson County Central Resource Library as part of the îWriters Place Poetry Reading Seriesî. 9875 W. 87th St. in Overland Park. Call 913-495-2472 or 816-753-1090 for more information.

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“engineer deconstructs literary criticism”

Via Slashdot: “How to Deconstruct Almost Anything–My Postmodern Adventure.”

You know you’re in trouble when even nerds feel safe beating up on you.

Update: More interesting than Morningstar’s piece, to me, is the discussion on Slashdot, linked above. It provides an idea of what a certain class of non-insiders has to say about literary studies. The discussion is not, in my opinion, very well informed.

And check out this response from Steve Ramsay, a professor of English at the University of Georgia who specializes in humanities computing. He started a Slashdot thread back in August of 2002 on peer review in humanities computing. Many of the resonses to that post indicate readers did not really understand what he was getting at, taking the opportunity instead as an excuse to bash the humanities in general.

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what mla panels really look like

It’s easy to pull a few unrepresentative examples out of over two thousand possibilities to ridicule the academic papers delivered at the annual convention of the Modern Language Association, which is what Scott McLemee did over at the Chronicle of Higher Education. Perhaps McLemee just meant to write a light-hearted piece that wasn’t intended to lump together all of the work presented at MLA. But I’ve heard too many comments over the years, usually from people outside the profession, arguing that the MLA features nothing but silly, trivial, over-politicized scholarship. It’s just not true.
Fortunately, the MLA publishes online the program with all the papers listed, so you could potentially judge the conference for yourself. Unfortunately, you have to be a member in order to access this information. Fortunately, dear reader, I’m a member, and I’ve cut and pasted below all the papers classified as on the subject of “English Literature.” (Note that this represents only a fraction of the total papers to be delivered there.)
I think they sound like the kind of interesting work one would expect scholars of language and literature to be doing.

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“the dreaded theory question”

Winston’s Diary, a blog written by “a job seeking graduate student [of literature] who will remain anonymous until tenured, rejected, or so sick of academia that I leave it,” describes “the dreaded Theory question” at MLA interviews. “Winston” fears that answers to that question will reveal political leanings, causing conservative job candidates to be turned down:

According to ìthe rules,î potential employers arenít supposed to be able to ask you about your politics. But, given the highly politicized nature of theory, how can the theory question not constitute a question about politics? If I start talking about I. A. Richardsís influence on my work, I reveal myself as a literary conservative. And if I talk about A. C. Bradleyís influence on my reading of Shakespeare, I think that makes me a literary paleo-conservative. Whereas if I mention Foucault, or Said, or Derrida, Iím a fellow traveler. In many ways, the answer to the theory question reveals the candidateís politics, or at least the candidateís politics in terms of literary scholarship (though the two generally go hand-in-hand, in my experience).

Methinks “Winston” doth protest too much. I seriously doubt anything like this will happen. I had seven job interviews the year I was hired for this job. No one asked me a theory question, “dreaded” or otherwise. Instead, I was asked about my research, my teaching, and a little about the administrative work I did as a graduate student. The committees that expressed the most interest in me were from departments that had faculty who did work similar to mine. In my case that meant, mostly, book history and humanities computing. On one of my campus visits I did mention Judith Butler once, in the context of something completely unrelated to my dissertation on eighteenth-century Methodism, but aside from that, I can’t think of a single situation in which I felt I was being tested regarding my politics.

I’m going to go out on a limb and say that most hiring committees don’t care if you name-drop theorists or not. But they’d like to know that you’re keeping up with the latest developments in your field, and if the only scholars you mention as influential were born in the 19th century, you’re not likely to make that impression.

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