patterns emerge

After all that sleep last night, I was much more focused today. I’m beginning to feel more confident about seeing some patterns in the magazine I’m reading. This particular magazine has a confusing publishing history, having appeared in three different sequences, each time starting over with the numbering of volumes: 1766-1773, 1774-1783, 1784. And then in 1784 it merged with another evangelical magazine. Very messy, but also very interesting.

It’s increasingly rare that a scholar actually has to travel to examine publications like this. An enormous amount of material is now available online through commercial projects like Early English Books Online, Eighteenth-Century Collections Online, and The Eighteenth Century microfilm collection. These resources are quite expensive, however, and many colleges and universities cannot afford them.

Somehow, what I’m researching has managed to slip beneath the radar of any of these projects, and so here I am, examining the only surviving complete run of this periodical (or perhaps the only surviving complete run that’s been catalogued). I hope to be done with this task by Friday or Saturday, and then I’ll be researching some other materials.

One small thing I’d like to find: John Wesley refers to a published announcement regarding his intent to begin producing The Arminian Magazine. The last time I checked the ESTC, which was awhile ago, I could not find this announcement. Hopefully I’ll track it down. I’ve done a lot of research on The Arminian Magazine in the past and am now looking at other, competing periodicals of the time.

Side note: I learned today that copies of The Gentleman’s Magazine, an extremely successful secular periodical of the eighteenth century, are available in the open stacks* of one of the rooms at the British Library. This means I don’t have to actually request it volume by volume but can browse at my leisure. Very nice. Something I’m after are the places where these magazines reference each other through their prefaces and other paratextual materials. How did they see themselves and their rivals? Sometimes there are quite bitter and direct attacks. Sometimes the references are oblique.

So far, my routine has been sleep, eat, research, eat, research, eat, beer, sleep. Not much playtime. However, I’ve run into some people I know that I knew would be here, and we’re making some plans for Friday and Saturday night as well as Sunday. I’ll keep you posted, of course.

*Which reminds me that I was planning on writing about what researching in special collections is like. Many of you already know, of course, but many of you do not.

jet lag is a funny thing

Twelve hours of sleep engulfed me last night after a measly five made a brief visit the night before. At 9:00 p.m. the sky is brighter than a boy visiting from Kansas City would expect, and at 3:45 in the morning the first hints of dawn are visible. Yesterday was a better day than the day before, but the time change still makes its presence known. I’m getting a later start today than I’d like, but I’m willing to cut myself some slack in the first couple of days, when my body and brain are still confused as to where in the world I am.

You can reach me in my room, where I’ll be in the evenings, via telephone at 020 7837 8888 x2521, but you’re on your own when it comes to negotiating the country codes and such. Remember that I’m five hours ahead of the East Coast and six ahead of the Midwest. Those of you in the UK and on the continent don’t have much to worry about in that area, of course.

And I’m off to the library.

research update

Just a quick note here, dear reader, as I’m grabbing some free WiFi in a dining hall with an etiquette notice forbidding the use of laptops. My flight over was fine, and I managed to put in a brief appearance yesterday at the British Library, even though my lack of sleep made me feel like a real zombie, not just the Internet kind. As fate would have it, I encountered a former student who is now finishing up his PhD in English. I last saw him when he was a freshman in one of my sections of intro to British literature at the University of Maryland. Time flies!

I’m looking at British evangelical periodicals at the BL, and I may have more to say about the fruits of my research in the coming days. Or I may keep it to myself until print publication. What’s interesting is that I’m seeing the same names involved in these publishing ventures crop up again and again.

There’s also a thread I want to follow involving the controversy surrounding the claim of a publisher that a certain set of printed sermons represent the authentic words of a particular preacher who, conveniently enough for the publisher, happened to be dead at the time of publication. The sermons were purportedly taken down in shorthand by an audience member, then transcribed, then printed. This is one of those threads you don’t expect to find, but that you are obliged to follow once you do. You know me: I’m a sucker for the whole “speech-script-print” thing

Oh, and I bought a surprisingly affordable CD-ROM of “the worldís earliest complete survival of a dated printed book.”

“dark”: a not-so-random 10

  1. “The Dark,” by My Morning Jacket, from The Tennessee Fire
  2. “Dark Center of the Universe,” by Modest Mouse, from The Moon and Antartica
  3. “In My Hour of Darkness,” by the Rolling Creekdippers, from Return of the Grievous Angel: A Tribute to Gram Parsons
  4. “In My Hour of Darkness,” by Gram Parsons, from G.P. / Grievous Angel
  5. Tom Petty and the Heartbreakers, Long After Dark
  6. “Let the Darkness Fall,” by Mazzacane, Langille, Burnes, Daniell, Let the Darkness Fall
  7. “I See a Darkness,” by Bonnie ‘Prince’ Billy, from I See a Darkness
  8. “I See a Darkness,” by Johnny Cash, from American III: Solitary Man
  9. “A Spindle, A Darkness, A Fever, and a Necklace,” by Bright Eyes, from Fever and Mirrors
  10. “Can Light Be Found in the Darkness?” by Gustavo Santaolalla, from the 21 Grams soundtrack

Other “dark” lists here and here.

changes to messaging accounts

You can add me to your IM clients (AOL/MSN, anyway) as ghwchats. I’m not using the old accounts anymore.

[See also ghwpix and ghwlinks. Sensing a theme?]